Topics Discussed: Alain Resnais, Jean-Luc Godard, Francois Truffaut, French New Wave, Hiroshima Mon Amour, Jeanne Dielmann, Chantal Akerman, Sight & Sound 2012 Film Poll, Le Mepris, Jules and Jim, Dziga Vertov, Man with a Movie Camera, Sergei Eisenstein, Battleship Potemkin, Leni Riefenstahl, Olympia, Communism, Incompatibility of ethnicity and ideology, Homosexual elitism, Jewish supremacism, two forms of leftism, Right's problem with libertarianism and meritocratism, goats and sheep, "privil rights" than civil rights, 'glamorality', communism as prison system, communist paradox of correct 'freedom', Abraham and Isaac, Chechenism, Chrislam, Jewish communists and Christian Churches in Russia, Destroying body of Church vs Destroying Soul of Church, George Lucas as a 'political' film-maker, New Hollywood, politics of idealism, the politics of dogmatism/commitment, the politics of opportunism, and the politics of truth, Christian Right's slavishness to the super-rich, why super-rich Jews favor Democrats over Republicans, American Conservatives and Palestinians, nature of 'truth', liberal humanism and conservative humanism, Lina Wertmuller, art as empathy, propaganda charading as art, Jews and idolatry, moral and political problems of true art, Jewish misuse of empathy, Cult of Reason and imperialism, Victoria Nuland, objectivity and contextuality, Trayvon Martin, George Zimmerman, Jews on Palestine and Vietnam, Munich, Steven Spielberg, Libertarianism and gambling, libertarianism and human nature, M*A*S*H, image vs ability, wasp vs Jew, problems of 'group defamation' and 'hate speech' legislation, 'white privilege', Federico Fellini, White Sheik, Eric Rohmer, Six Moral Tales, Stanley Kubrick, Eyes Wide Shut, photography, cinemythia, Citizen Kane, passive - responsive - reactive - proactive, Odysseus, Japan, Yasujiro Ozu, Robert Bresson, spirituality, John Carpenter, Halloween, Carrie, Brian DePalma, William Friedkin, The Exorcist, Cruising, ‘shamepathy’, cuckservatives, Ingmar Bergman, Sinister, Ethan Hawke, President’s Analyst, France, Great Britain, Continental Europe, English language, American English as new 'lingua franca'.Īlain Resnais was one of the more enigmatic figures in cinema.
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